tarot_scholar: An image of Norman Rockwell's interpretation of Rosie the Riveter (Rosie)

Happy Midsummer, one and all! I decided to mark the occasion with a reading on another writing project, GAL. Starting with only the scrap of a D&D character, I tried my hand at urban fantasy with GAL during 2013's National Novel-Writing Month (NaNoWriMo) and found myself stuck on plot. There are people in the world who win NaNoWriMo—that is to say, they write 50,000 words—by the seat of their pants, and I will never understand how they do it.

It's a character I like and it's a premise I think is interesting, so bring in the Tarot to help.



More about GAL. )


Many Tarot readers talk about the Tarot as simply reminding people of what they already know. Indeed, much of what showed up here I already knew and did little more than reinforce the story as it already is, using some of the same cards I would have chosen myself. I haven't walked away from this reading with anything really new and substantive, which is what I was looking for. This is why formulating a good question is so important for reading Tarot. And also having a good solid meal beforehand so you come at it with a clear head. ;) Even looking at this story months later I'm still blocked where I am, nor does this reflection point me in any particularly fruitful new directions. A follow-up is necessary but first I need to figure out what I need to know—my "known unknowns."
tarot_scholar: An image of Norman Rockwell's interpretation of Rosie the Riveter (Rosie)

For the writing project that I mentioned in my last post, I decided a good jumping-off point would be to have a section related to every Tarot card. Since the project is inherently open-ended, setting a limit would be one way of deciding when the story was "over" (or, just as likely, setting a minimum would be a good way generating enough material to work out something like a story arc). I went back through what I had written and decided one particular letter would be a good match for the Knight of Cups.

Imagine my surprise when I discovered that the Knight of Cups in my St. Petersburg deck was missing. (And, also, the Ace of Coins.)

I've been a bad Tarot reader and couldn't recall if those cards had been missing forever or if it had been lost in one of the many international moves it's seen; I couldn't even recall what they looked like. This deck has also seen some abuse, otherwise. A few cards had met with a watery fate and while I had been able to dry the bulk of the wet cards to satisfaction, three or four hadn't fared so well.

What is a Tarot reader to do when some cards aren't doing so well, or are missing altogether?

Waite does not touch on such a minor tragedy in his Pictorial Key to the Tarot, nor does a solution manifest itself in the The Tarot of the Bohemians, by Gérard "Papus" Encausse or in Crowley's Book of Thoth. Unfortunately, I don't have access to their older, Francophone sources to see if this was simply overlooked or if the literature really is that quiet on the problem. If I am allowed a moment of speculation: these turn-of-the-century works are so focused on constructing perfect systems and representations, and on the universality of the Tarot, that for them a deck without all its cards would be a machine without a cog. It would work well enough, particularly in the hands of a skilled practitioner, but it seems they would recommend finding a replacement toute suite. Not necessarily the identical card, but at least a stand-in; a good reader will still be able to call up the mental image of the card as well as its associated meanings.

As for contemporary Tarot practitioners, there are lots of Internet anecdotes about people reading with less-than-full decks and the message still getting across, even if the card missing would be central to any readings given. This seems to be the overwhelming majority, though opposition exists. There is also the "Everything is Divine Providence" school of thought, who suggest that the missing cards are missing to tell you a message, whether it's to focus on that particular aspect of your life or to say, "Work with another deck!" Since I don't approach the Tarot religiously or spiritually, I have a tough time reconciling myself to that particular belief. I will meditate on the Ace of Coins and the Knight of Cups later tonight to see if they have any application to me currently, nonetheless.

When it comes to damaged cards, Biddy Tarot (as authoritative a source as any in contemporary Tarot, I suppose) suggests that a little wear and tear is nothing to worry about, unless you personally find it distracting. I am rather fond of that view, even if it is a little bit woo. It is nice to hold a card and be able to say, "Ah, this is from when this thing happened, I remember." The problem is that water damage can make the paper react in funny ways that are as irritating as they are charming, and even interfere with a truly random shuffle and cutting of the deck. That is the one thing I hold sacrosanct above everything else with the Tarot: true randomness.

Unless you personally find it distracting. That, I think, is the crux of this issue. I can't say when the cards in my deck disappeared; I certainly didn't notice anything peculiar about my readings with this deck at all. Since I didn't know then, I couldn't find it distracting. But now that I know, it'll bother me; all the more because of my current writing project. My Thoth deck has all of its cards, but it is simply Not the Right Deck for YNF.

So what am I going to do about my less-than-full deck? I decided to cash in an old Amazon gift certificate and buy another deck to add in the missing cards (and the damaged ones, while I'm at it), and keep it on hand in case of further disappearances/problems. The original deck is one I bought on a very special trip back in the day, so I'd like to keep it close to me as a memento.

tarot_scholar: An image of Norman Rockwell's interpretation of Rosie the Riveter (Rosie)
YNF is a story idea I've had for a couple of years now, and I'm finally getting around to writing it. F moves into a new apartment and finds a box of letters written by KH, apparently to a local DJ. There is a story in the letters, of course, but also a story about F and how she responds to and interacts with the letters.

Some parts of the characters were still fuzzy to me as I began writing, so I sat down and tooled with my deck. Inspired by this court card technique I like so much as well as this Tarot constellation method, I shuffled the deck and then rifled through the cards. The first Knight, Queen, or King I pulled would be their Sun sign. I also paid attention to the cards that flanked this first court card.

Deck: Russian Tarot of St. Petersburg



For KH:

Sun sign: King of Coins (Taurus)
Destiny card: 7 Coins
Will cards: 5 and 6 of Coins
Other cards: High Priestess, Page of Cups

I had been unsure as to KH's gender; the fist card I pulled was The High Priestess, so that settled that issue for me. As for Page of Cups: an initiate into the realm of water: both in terms of emotions (the story is about KH reaching out for perhaps the first time in her life) but also mysticism and intuition. Initiate but not fully-experienced or well-learned. Knowing just enough to be dangerous, as it were.


For F:

Sun sign: Knight of Clubs (Sagittarius)
Destiny card: 10 of Wands
Will cards: 8 and 9 of Wands
Other cards: 3 of Swords, Queen of Coins (Capricorn), Emperor

The Queen of Coins ended up immediately flanking the Knight. My instinct is to make F's Moon sign (or the Hidden Teacher) Capricorn/the Queen of Coins, but we'll see. The 3 of Swords struck me, as it always does, and I put it aside. What heartache could she be carrying? Death, I decided. But who should die? A parent would be a nice mirror of KH's own life, but which parent? Well, there's the Emperor. That settles that. A perfect correspondence: two dead fathers.

There are other ways I could have interpreted the cards, of course. Especially for F. But when I use the Tarot for writing projects and other creative projects, I play more fast and loose. The important thing is to generate ideas.

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